Austin Wintory fights union over fine for scoring The Banner Saga

AFM threatens to expel Journey composer

The American Federation of Musicians could expel Austin Wintory after he composed a video game score that was not part of his union work.

The award-winning composer, best known for the soundtrack behind Thatgamecompany’s Journey, is facing a $2,500 fine for producing the music of acclaimed strategy game The Banner Saga. So far, Wintory has refused to pay – and if he does not do so by January 19th, he will be expelled, GamesIndustry reports.

Wintory claims paying the fine would be akin to "[agreeing] that their failing policies, selective tactics and threats work". He has already tasked his lawyers with working out a response if he is expelled.

The composer has reportedly said he will donate $2,500 to Education Through Music – Los Angeles, instead of paying the fine.

This is not the first time Wintory has clashed with the AFM. Last year, he faced a $50,000 fine for scoring The Banner Saga. The union later drew up a new contract lifting a two-year block on members composing for games.

About MCV Staff

Check Also

470 Pacific [Industry news] Pacific Standard Creative Launches as New Division of Pacific Standard Sound, Merging World-Class Film, Television, and Video Game Capabilities

[Industry news] Pacific Standard Creative Launches as New Division of Pacific Standard Sound, Merging World-Class Film, Television, and Video Game Capabilities

Pacific Standard Sound (PSS), the award-winning sound design and full service post production and sound company whose work spans some of entertainment's most iconic properties, today announced the launch of Pacific Standard Creative (PSC), a new division purpose-built to serve the evolving storytelling and production needs of video game development studios, advertising agencies, trailer houses, and independent productions who demand world-class sound without compromise. Pacific Standard Creative will be helmed by industry veteran Eric Marks, who brings more than a decade of audio and engineering leadership, as well as two years as the Vice President of the Motion Picture Sound Editors (MPSE).