Should it be ruled that DLC can only be built after a gameâ??s release?

Fake on-disc DLC is simply unacceptable. Agree?

After a GDC-fuelled hiatus, the Develop Jury is back, and this week the discussion is centred on recent controversies surrounding on-disc downloadable content.

It was claimed last week that publishing arm 2K Games had allowed Bioshock 2’s DLC to be built during the full game’s production process. The publisher allowed the DLC to be pre-loaded into the final build, and today is selling what are essentially unlock codes for the content.

Consumers are already up in arms about being sold access to data they have already purchased – yet a 2K representative said that pre-loading the data was necessary to ensure that the game’s multiplayer base is not divided into the ‘have’ and ‘have-nots’.

The new controversy is not the first time publishers and developers have been questioned on the practice of pre-loading DLC. With this in mind we ask:

Should the industry adopt a code of best practice that rules DLC is built only after the release of a game?

We are also looking for a wider view on the matter. Is pre-built DLC simply siphoned-off elements of a full game? Will this level of negativity damage the industry the way DRM is? Is it unrealistic to ask studios to build DLC after a game’s release?

Whatever your view, email rob.crossley@intentmedia.co.uk and let it be heard. You can speak anonymously, or otherwise post your thoughts in the comments section below.

About MCV Staff

Check Also

Blog header 2026 IG50 [Industry news] Ubisoft backs IG50 Awards as Into Games opens applications for 2026 cohort

[Industry news] Ubisoft backs IG50 Awards as Into Games opens applications for 2026 cohort

UK games charity Into Games has today opened applications for IG50 2026, its annual programme that recognises 50 of the most talented yet-to-be-hired people in UK games from working-class and low-income backgrounds. The announcement comes as Ubisoft joins as the headline sponsor and as Into Games confirms that 11 winners from the previous 2025 cohort have been placed in paid roles in the UK games industry through its Boost placement programme.